leoraigarath

It's as if the sunset was everything I had to say beneath a spill-- a fancying forgoing form to remain a fancy; aphasia in the clouds of ink meeting tea-stains in the spaces of corners where the eyes always fall to rest anyway as they take it all in  --   what there is between two people; how a good day is always offset by a storm, or what will someday eschew its form but is somehow still worthy of a word that leaves you searching for more words until the day is dark and bruised with the meaning of them running ren in streaks over tracks and a ghost train, and you are certain that there was a word for that which moves without moving, c

  HONESTLY I feel myself softly falling And, honestly, I don't mind Although I once swore vehemently That I'd never ever let Another person into my sanctum My secret foxhole Forget government secrets Top secret, classified or otherwise No other eyes do know of these And I thought they never would Until you made your entrance Trumpets blaring and choir all Swiftly you became my knight And now I engage in combat Within my head Heart and memories against each other Silently wrenching me apart Simultaneously I feel urged to Pull you closer but Also to shove you away I'm so confused I don't know what I want I want to give yo

Tips and Tricks for Writing Fluidly Mechanics No, we’re not fixing up your brother’s car. Mechanics are the little technical bits in your writing; punctuation, spacing, spelling, capitalisation, et cetera. We’ll start there. Capitalisation Different languages have different rules for what should be capitalised. If you speak English, you’d capitalise “I” and leave your dog lowercase. You may find it interesting that German is a bit backwards. If you’re German, you’d capitalise “Hund” and leave “ich” lowercase. Why am I telling you this? Because it’s simple little things like

I want to say goodbye. I want to say goodbye and not tell you where I'm going. I want to say goodbye, just to see if you'll take the time to look.

Rough Guide to Submitting Poetry to Literary Journals (by Email) First thing you need is your poems, naturally; these must be fully redrafted to your satisfaction to have much of a chance of getting anywhere in the world of self-respecting mags. Try out some workshops (there are a tonne on the internet, and plenty in the real world too), ask your friends, but most of all just mull them over for yourself until you're happy. Do not pad your submission with bad poems, thinking the worse ones might get through thanks to your stronger work. This will just result in the whole bunch being rejected, in all probability. Next we need to scope out a